From Perth, Australia, came the message that she could not countenance, these days, reading anything that was not beautiful. She is right. Why, by choice, should we read about ugliness of action, deed, character, when all that is so readily available in our daily newsfeeds? Why shouldn’t we self-select and sanitise what we choose to … Continue reading The Sunny Side of Life
Category: Literature
One True Sentence
Were my impulse to write anywhere near my impulse to consume ice-cream (or dark chocolate), then I would have a prodigious output. I love ice-cream, often crave it in an ‘it doesn’t matter if it is cold and dark and wet and ten o’clock at night, I’m going to out to buy some.’ Inevitably, when … Continue reading One True Sentence
Save Those Letters
Why we should keep old letters...
Meet Me at the Crossroads
What difference would it have made to Tarry Flynn had he got himself onto a dating app? That is the question I keep turning over in my mind. Tarry is the main character of the eponymously titled Patrick Kavanagh novel that I am re-reading after twenty-five years. Published in 1948, it was banned for fourteen … Continue reading Meet Me at the Crossroads
Thinking of Ending It
Without success, I am trying to write an ending. I have selected some novels from my bookshelf to see how they do it. Welsh (Trainspotting, 1993), Wilde (The Picture of Dorian Gray, 1890) and Woolf (The Waves, 1931) are huddled together at the end of one shelf. I decide that, between the three of them, they should … Continue reading Thinking of Ending It
You Never Learn To Do It
Having been alerted to my own haphazard use of the full stop I now see it abused everywhere. There is one particular book I am reading. In this book it is placed most unconventionally. Places where you wouldn’t expect. Everywhere. Are full stops. Littered with profligacy. Strewn. Thoughtlessly. Needless to say, it’s driving me mad, … Continue reading You Never Learn To Do It
Good Enough to Steal
Is there anything new under the sun? Is anything we write or paint or compose truly original, or is every creative act influenced (hopefully for the good) by what has gone before, so that what we produced has been re-learned, repeated, tweaked? Apparently whenever W.H. Auden read something in a book that he liked or … Continue reading Good Enough to Steal
(In Parentheses)
I overuse brackets (I think). When I read back over something I’ve written, out they jump out from the text like a spring lawn filled with dandelions. There are too many. Time to do some weeding, remove a few, until I weaken and reinstate my sideway smiles… ). Entirely unsure as to when and where … Continue reading (In Parentheses)
Murder Your Darlings
Sometimes quoted as, ‘murder your darlings’ other times as, ‘kill your darlings’ -- whatever your preference, the advice amounts to the same thing: don’t scrimp when it comes to editing. Take to your writing with a red pen and the eye of Marie Kondo going through kitchen cupboards that haven’t been reviewed in a decade, … Continue reading Murder Your Darlings
Far Off Fields
‘At the bottom of her heart, however, she was waiting for something to happen. Like shipwrecked sailors, she turned despairing eyes upon the solitude of her life, seeking afar off some white sail in the mists of the horizon.’ My book group has just finished reading Gustave Flaubert’s Madame Bovary. Insights such as this into … Continue reading Far Off Fields